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Residency project at Joan Mitchell Center, New Orleans, 2022

Residency project at Joan Mitchell Center, New Orleans, 2022

Incarceration: Isolated Objects

My current work in process explores the history of The Ohio State Reformatory located in Mansfield, Ohio. Built with prison labor, the massive penitentiary opened in 1896 with a focus on rehabilitation, religion, and trade skills training programs. By 1960, policies had changed and the aging Gothic/Romanesque facility had become a densely populated maximum-security prison. Conditions had drastically deteriorated over the years and in 1980 inmates filed a class action lawsuit against the State of Ohio. In 1990, a federal court order permanently closed The Ohio State Reformatory due to dangerous overcrowding and inhumane conditions. Eventually the prison re-opened for public tours and the facility is now included on the National Register of Historic Places.  

My photographs center on the isolated objects that remain on-site. The photographed objects include a variety of damaged chairs; a school desk; a battered suitcase; a rusted metal locker in the infirmary; the mantle from warden’s parlor now outfitted with plastic flowers. Each mundane object possesses its own history that seems to bear witness to the life of an incarcerated individual while also reflecting on the larger history of incarceration in the United States. Utilizing a working process that is similar to previous projects, I translate photographs into large digitally woven images. I work with each image to create a stark composition that enhances the solitary nature of each individual object. I rework the photographic weavings via hand dyeing, sewing, cutting, collage and unravelling the threads that comprise the image.

Sleep, 2022

Deconstructed woven photograph

Untitled, 2022

Object made from rags and string on cinderblock

Less Than, 2022

Woven photograph, hand-dyed and collaged

Flashback, 2022

Flashback, 2022

Deconstructed woven photograph, collaged and hand-dyed, 58”x88

Less Than, 2022

Less Than, 2022

Woven photograph, hand-dyed and collaged, 48”x90”

Sleep, 2022

Sleep, 2022

Deconstructed woven photograph with object, 47”x56”

Archipelago, 2021

Archipelago, 2021

Deconstructed woven photograph, cut and dyed, 56”x48”

  Reform and Educate, 2021   Deconstructed woven photograph, 60” x 53”

Reform and Educate, 2021

Deconstructed woven photograph, 60” x 53”

  Ohio Arts Council, Riffe Gallery, 2021   Installation view

Ohio Arts Council, Riffe Gallery, 2021

Installation view

The Warden's Flowers, 2023

The Warden's Flowers, 2023

Deconstructed woven photograph with stitched diagram, 16”x26”

Mending, 2022

Mending, 2022

Deconstructed photographic weaving, hand-cut and dyed, mended. 58”x46”

Mending (detail), 2022

Mending (detail), 2022

Detail of hand-sewn mending.

Residency project at Joan Mitchell Center, New Orleans, 2022

Incarceration: Isolated Objects

My current work in process explores the history of The Ohio State Reformatory located in Mansfield, Ohio. Built with prison labor, the massive penitentiary opened in 1896 with a focus on rehabilitation, religion, and trade skills training programs. By 1960, policies had changed and the aging Gothic/Romanesque facility had become a densely populated maximum-security prison. Conditions had drastically deteriorated over the years and in 1980 inmates filed a class action lawsuit against the State of Ohio. In 1990, a federal court order permanently closed The Ohio State Reformatory due to dangerous overcrowding and inhumane conditions. Eventually the prison re-opened for public tours and the facility is now included on the National Register of Historic Places.  

My photographs center on the isolated objects that remain on-site. The photographed objects include a variety of damaged chairs; a school desk; a battered suitcase; a rusted metal locker in the infirmary; the mantle from warden’s parlor now outfitted with plastic flowers. Each mundane object possesses its own history that seems to bear witness to the life of an incarcerated individual while also reflecting on the larger history of incarceration in the United States. Utilizing a working process that is similar to previous projects, I translate photographs into large digitally woven images. I work with each image to create a stark composition that enhances the solitary nature of each individual object. I rework the photographic weavings via hand dyeing, sewing, cutting, collage and unravelling the threads that comprise the image.

Sleep, 2022

Deconstructed woven photograph

Untitled, 2022

Object made from rags and string on cinderblock

Less Than, 2022

Woven photograph, hand-dyed and collaged

Flashback, 2022

Deconstructed woven photograph, collaged and hand-dyed, 58”x88

Less Than, 2022

Woven photograph, hand-dyed and collaged, 48”x90”

Sleep, 2022

Deconstructed woven photograph with object, 47”x56”

Archipelago, 2021

Deconstructed woven photograph, cut and dyed, 56”x48”

Reform and Educate, 2021

Deconstructed woven photograph, 60” x 53”

Ohio Arts Council, Riffe Gallery, 2021

Installation view

The Warden's Flowers, 2023

Deconstructed woven photograph with stitched diagram, 16”x26”

Mending, 2022

Deconstructed photographic weaving, hand-cut and dyed, mended. 58”x46”

Mending (detail), 2022

Detail of hand-sewn mending.

Residency project at Joan Mitchell Center, New Orleans, 2022
Flashback, 2022
Less Than, 2022
Sleep, 2022
Archipelago, 2021
  Reform and Educate, 2021   Deconstructed woven photograph, 60” x 53”
  Ohio Arts Council, Riffe Gallery, 2021   Installation view
The Warden's Flowers, 2023
Mending, 2022
Mending (detail), 2022